Christian Poltéra was born in Zürich. After receiving tuition from Nancy Chumachenco and Boris Pergamenschikow, he studied with Heinrich Schiff in Salzburg and Vienna.
As a soloist he works with eminent orchestras including the Munich Philharmonic Orchestra, Leipzig Gewandhaus Orchestra, Los Angeles Philharmonic, Oslo Philharmonic Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome, Orchestre de Paris, BBC Symphony Orchestra, Orchestre Révolutionnaire et Romantique and Chamber Orchestra of Europe under such conductors as Bernard Haitink, Riccardo Chailly, Christoph von Dohnanyi, Andris Nelsons and Sir John Eliot Gardiner.
He also devotes himself intensively to chamber music together with such musicians as Gidon Kremer, Christian Tetzlaff, Leif Ove Andsnes, Mitsuko Uchida, Lars Vogt, Kathryn Stott, Esther Hoppe and Ronald Brautigam, and with the Auryn and Zehetmair Quartets. Together with Frank Peter Zimmermann and Antoine Tamestit, Christian Poltéra has formed a string trio, the Trio Zimmermann, which performs at most prestigious concert venues and festivals all over Europe.
In 2004 he received the Borletti-Buitoni Award and was selected as a BBC New Generation Artist.
He is a regular guest at renowned festivals (such as Salzburg, Lucerne, Berlin, Edinburgh and Vienna) and made his BBC Proms début in 2007. Christian Poltéra’s discography, which has won acclaim from the international press, reflects his varied repertoire that includes the concertos by Dvorak, Dutilleux, Lutoslawski, Walton, Hindemith and Barber as well as chamber music by Prokofiev, Fauré, Beethoven and Schubert.
Christian Poltéra teaches at the Lucerne University. He plays a Antonio Casini cello built in 1675 and the famous "Mara" Stradivari from 1711.

NEW SACD !

Schumann / Brahms

sonatas and songs

Christian Poltéra, cello
Kathryn Stott, piano

BIS Records

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    Bruch: Kol Nidrei op.47

    Urtext Edition, paperbound
    with marked and unmarked string part
    Aside from his popular Violin Concerto no. 1, “Kol Nidrei” numbers among Max Bruch’s most famous compositions. The melancholy “Adagio after Hebrew melodies” was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch, by his own admission. The tenor cello sound is the ideal medium for the voice of a Jewish cantor, and thus to this day “Kol Nidrei” offers every cellist a wonderful opportunity to make the instrument “sing”. In this text, based on the first edition of 1881, “Kol Nidrei” appears for the first time in an Urtext edition substantiated by scholarly research, for which not just the musical sources, but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part.
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    Violin Sonata in A major Urtextausgabe, Fassung für Violoncello, broschiert mit bezeichneter und unbezeichneter Streich

    Im Gegensatz zu anderen seiner Spätwerke wurde Francks 1886 komponierte Violinsonate (HN 293) von Anfang an bei Publikum und Kritik freundlich aufgenommen. Unter den zahlreichen Bearbeitungen hebt sich die im Januar 1888 erschienene klangschöne Fassung für Violoncello insofern hervor, als sie ausdrücklich von Franck autorisiert wurde. Der Cellist Jules Delsart, der im Dezember 1887 in Paris eine Aufführung der Sonate erlebt hatte, war so begeistert, dass er Franck um die Erlaubnis zur Transkription der Violinstimme für sein Instrument bat. Delsart hielt sich eng an das Original, ließ den Klavierpart unverändert und transponierte den Violinpart nur wo nötig und passend in die tiefere Lage.

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    Ravel: Sonate für Violine und Violoncello Urtextausgabe, broschiert mit einer bezeichneten und einer unbezeich

    At the first performances of this sonata, composed between 1920 and 1922, even close friends of the composer were perturbed: Following the intoxicating sounds of La Valse, the smaller scoring and modern musical language of the sonata were a shock. Yet this pioneering work has now become a permanent fixture on the concert stage. To help the players, we are now presenting two performance scores in which the other instrument’s part is also given. Both parts are included in a marked and an unmarked version. The world-renowned musicians Christian Poltéra and Frank Peter Zimmermann provided the fingerings.

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Forthcoming Concerts — Past Concerts
  • Christian Poltera
  • Christian Poltera
  • Christian Poltera
  • Christian Poltera
General Management
General Management
e.wagner@ks-schoerke.de
website
KÜNSTLERSEKRETARIAT ASTRID SCHOERKE
Eva Wagner, Managing Director
Telefon: +49(0)611 50 58 90 50
Mobil: +49(0)172 821 32 58
BeNeLux
BeNeLux
luc@concerts-weinstadt.be
website
Weinstadt Artists Management
Luc Van Loocke
Populierenlaan 3/26
B-2020 Antwerp
Belgium
Christian Poltéra
christianpoltera@yahoo.de
Kammermusiktage Bergkirche Büsingen
website
Trio Zimmermann
Trio Zimmermann
jt@nymusartists.com
website
Nymus Artists
Jeroen Tersteeg
Avenue du Beau Séjour 34
B-1180 Brussels
T +32 2 372 3005
BIS Records
BIS Records
website